Purpose:
To determine where values change when light moves over an uneven surface by using a range of gray values to paint the different values in a realistic self-portrait;
- To become familiar with the structure of the face by painting a realistic self-portrait.
- To effectively communicate an image that looks like you through careful examination of the values of your face
Artists Studied:
Jennifer Levonian, Martha Mayer Erlebacher, Lucy Fradkin, Anne Harris, and Carolyn Schlam
Portrait Reflection:
I am very proud of my irises. When I first did it they looked really scary and then I went back and by adding some light reflection I really made myself look more lively. Also, I went back and defined them more which really helped. I am also proud of how my beard looks, it is the darkest color and matches part of my hair. I think it gives my portrait a unique look and a kind of continuity throughout the painting.
I think the best feedback I got was define my features more. My eyes and my hand specifically were not well defined. I added multiple values to my finger/hand and I think that helped a lot. Then, I went back and completely redid my eyes and as I have mentioned, greatly improved them. Giving feedback helped because I realized that when you’re doing your painting you know what you are trying to do and that gives you a prejudice for what it actually comes out as. It gave me a fresh new look at my painting and made me realize that some of the things I tried didn’t work out how I wanted them to, like some values on my nose for example.
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